Here’s a few recent sketches from my toned paper sketchbook.
tl;dr – Stop writing blog posts and start drawing… a lot.
Anyone who draws or paints portraits has most likely done their fair share of self portraits. While it may seem to some like an exercise in narcissism, it is in fact mainly a matter of convenience. It’s not easy to find people willing to sit still for several hours while you draw them, so it makes sense to draw the one person who is guaranteed to be sitting still for as long as it takes!
It also makes for a decent profile picture!
I drew a new self portrait recently, and I thought I’d share a few others that I’ve done over the years, in a variety of different styles and media:
It’s always interesting to see with each new self portrait, how I’ve developed in my drawing/painting ability, as well as how I’ve aged! Look at those long flowing locks I used to have 😦
I think it might be fun to do a new selfie every year around my birthday. Maybe I’ll try an oil portrait next time.
I always found charcoal a bit cumbersome and messy to work with. I used it for quick figure sketches sometimes, but never really felt like I could get very detailed with it.
But after doing a few graphite drawings, I felt I was missing some of the expressive quality you get from painting, so I decided to give charcoal another go. Continue reading
Since taking the portrait drawing class last month, I’ve done a few more graphite drawings (click/tap to enlarge):
I’ve had some fun with these, and enjoyed putting some new techniques to use, such as blending shadow areas with a paintbrush, and most importantly, keeping my pencils razor sharp!
I’ll probably do more graphite drawings, but I also want to try some charcoal portraits. I love how dark you can get with charcoal, and I’m looking forward to seeing what kind of effects I can create (and mess I can make!)
I have ordered some charcoal. Stay tuned!
I’ve been working on portraits again recently, after focusing mainly on landscapes for a year or two (I find landscapes to be much less challenging when you’re still getting to grips with how to paint in oils), and what I’ve found is that by far the most important and most difficult aspect of a portrait is the drawing. Continue reading